Kaira is based in San Francisco, and she herself is a problem. She is all that one can expect, after all she is overt in her behavior, Happy go lucky person. Living a rather unorthodox life, living in the moment - for the moment. There is so much she reveals and yet there is still more that she keeps herself. In her carefully cultivated persona of frivolity and fun, there is a deeper, abiding sadness. One that she doesn't permit you to see. while Akash is from a New York City. He has something in him that draws you to him, atleast you would be temted to turn to ask him the time. Yet all too quickly just when you think you have his attention, you loose him. It's the way he likes it and he would turn to you maybe even smile and say - " I have no interest in you. Absolutely none - zilch". And that would be the end. It isn't personal with Akash - it never is personal. It is what it is.

Both are trying to find luck in their life after several failed attempts to be successful in their careers and in love.Fed up, they both decide to commit
suicide by jumping off a bridge. However, both land up on the same bridge at the same time. But they decides to fullfill their last wishes before they commit uicide. But asusual life interrupts, as is it's habit; and pain ful choices must be made.

The duo part and part as they met - as strangers. But can a cloaked love so strange between two strangers conquer the idiom of normalcy we all believe in. Is it worth another chance? Is it worth leaving behind all that is familiar? Is it a love in time, is it truly the beginning they never expected?

The film's music has been composed by Vishal-Shekhar who have composed the music for all of Siddharth's three films in the past. The cinematography is handled By Ravi K. Chandran. Advaita Kala and Siddarth Anand does the screenplay of the story of Mamata Anand.